FREQUENCIES TRAVELER DECEMBER 7, 2016 "'Different weather we're having!' I paraphrase here. I remember hearing words to that effect in the epic movie, 'The Wizard of Oz,' a famous interpretation of Frank Baum's book. It starred Judy Garland as Dorothy, the story's protagonist and featured actor Bert Lahr as the world's most beloved Cowardly Lion. In the story, it seems that, on the way to the Emerald City, Dorothy and her recently acquired entourage, including a Tin Man, a Scarecrow (man of straw), and a Cowardly Lion, take the yellow brick road through a field of growing poppy plants. These plants are a source of opium and poppy seeds. This aromatherapy-laced trip will be so relaxing that the overwhelming urge will be to fall asleep. Cowardly Lion yawns and the group all take a nap on the meadow ground. The audience remembers that the antagonist, the Wicked Witch of the West, aka the dark world witch, and her legions of Flying Monkeys could take advantage of this opportunity to steal the precious ruby slippers. Dorothy, her dog Toto, and friends could be snatched away to imprisonment, torture, or death while they were so vulnerable to attack. Asleep. Out in the open..." "Sleeping? Sleepers..?" you posit. "Key to this scene is the rescue by the Good Witch of the North... Glenda. You will notice that, in this tale, the good witches are North and South and the Wicked Witches are East and West. Using a form of interdimensional travel or by use of remote devices, using what is still sold as advanced technology today, Glinda classically wields a magic wand and directs a snowfall onto the meadow and the sleepers. As the sleepers awaken to continue on their journey, the ruby slippers are intact. Glinda smiles down upon them and departs." "Magic Wand?" You are looking puzzled. "Directed Energy Weapons or Directed Energy Weather can be used to attack. They can also be used for rescue and good purposes. They existed in 1939. How do I know? The movie was nominated for an Academy Award. 'Gone With The Wind' was the competitor that year. What a difficult choice: two classics! And, what is more, the World's Fair was held in New York in 1939 and featured inventions of the future. One of them, if you are curious, was television. Television uses towers and now would be coming into every home on the block. Color technology was also advancing and the movie, which deals famously with color, the rainbow of color and light and beyond, demonstrates the transition by having Dorothy begin her experience in a drab and gray environment, shown in black and white film, B/W, in Kansas, USA, which the character calls home. After her head injury and spiraling journey inside a tornado, Dorothy and her house land on Oz, a place not only of color but of frequencies and magnitudes and vibrations and temperatures which vary by region so visibly that everything within each region is the same color, like the bands of the celestial rainbow..." "So...DEWs...? Weapons of Mass Destruction...? Nuclear Weapons?..." I see that you are following me. "You decide. I say, YES... Now, back to the story... The audience notices that only a sufficient amount of snow falls...enough to awaken Dorothy and her fellow travelers in time to avoid a surprise attack... but not enough to do harm to them. The Wicked Witch is temporarily thwarted but not directly attacked. The crop is neither drowned nor frozen." "When Cowardly Lion sees the snow on himself, he famously utters the line, looking skyward, about the 'different weather!' they were experiencing. Bert Lahr's line is the clue to the audience that this weather was not the work of Mother Nature, but -- if you had noticed Glinda -- the clue is that the weather rescue was done using advanced abilities or technology. The technology would have been used by someone fully knowledgeable and skilled in its use. A weapon of mass destruction, having also the ability to choose to pinpoint a single target remotely, was being used defensively as a tool of rescue and not for destructive purposes." I pause to see if my words make sense. They do. "Another thing," I continue... "In a later scene, once the travelers have arrived at the Emerald City, the Cowardly Lion is most frightened while traversing the long corridor, or inside hallway, to meet with the Great and Powerful Wizard of Oz, purportedly some supernatural being or extra-terrestrial advanced or ancient being. Personifying the fear we humans feel when dealing with unknown and potentially devastating forces, Cowardly Lion keeps turning back toward the direction from which he had come in... No need to ask him to leave. He could stand the fear inside himself no more. He turned and ran and ran and then jumped through the first window to the outside that he encountered! Panic attack? His friends had to retrieve him and, holding him up by arms and shoulders, support his personal attempts at fearlessly overcoming his own fearful self. He was half lifted along the hallway." "And...?" I hear the question. Was there more? You were beginning to put your ideas together. "Once in the room where the official audience with the Great and Powerful Wizard would take place, we the viewers, are shown the Great Secret: Technology. 'Pay no attention to that man behind the curtain!' the characters are instructed. You may ask, 'What man?' A quite human-appearing man. The little dog, symbol of mischief (or fun reference to the "dog star" and to the nursery rhyme canine who laughed to see such sport when the Cow Jumped Over The Moon), has taken his teeth and grabbed the drapes which concealed the contents of a side alcove. This action has revealed the presence of an older man using a board with technological controls which manage the images and special effects within the room. The image has been of a talking god or demon or alien, but this man looks perfectly harmless and simply human." I am shifting for a moment... "1939 and 1993 are connected. Mark my words. I realize it, don't you?" Strange weather... Ruby, not red.... Emerald, not green.... Crystal balls... not only reflecting pools or deep water. Ruby LASERs come to my mind. Advanced technology. In Baum's original book, I seem to remember, the slippers are silver. Silver... fifth chakra to sixth chakra -- (a reference to the continuity of the rainbow of colors as they ascend and come looping back around to meet their other selves, forming unlimited light Alpha-Omegas within the Music of the Spheres sound continuum? Or, simply fashion?) In 1939, in the movie version, we see a deliberate change... not just to first chakra red and rainbow color red; nor even cinematic color red...but, to 'ruby' slippers. These were red-colored rubies. Ancient arts used geodes and other minerals and metals and mystical, magical elements for tasks which are usually in the paranormal realm: remote viewing, telepathy, psychometry, and psychotronics are some. Ancient... and modern. No-time and all-time (automatic). Levels, atmospheres, technological ceilings, floors and walls, color ascendance and rank. 'Green' or 'gray?' Up to the 'blue' sky in a 'spiraling-motion' house. Powerful 'red forces' and a touch of 'dark mischief.' 'White' snow used to protect... reference to summoning the 'white light' of protection?... 'yellow' brick road...." Envisioning the rainbow of art, ROYGBIV, red, orange, yellow, green, blue, indigo, and violet, a little education adds infra-red at one imaginary end and ultraviolet at the other imaginary end and can help you to see the links." I want to make an additional reference now. "In 'Alice In Wonderland,' a book by Lewis Carroll, which also references being 'behind the looking glass' in some of its titles, the protagonist is Alice. In one scene, Alice is bending over to touch her toes, forming an Alpha-Omega or looping rainbow of aura colors and electromagnetic fields. The scene references many things including astrophysics, astronomy, astrology, mysticism and yogic postures, meditation and its purposes. It symbolises many things including the real shapes of perceived linear structures. ... Of Planet Earth and biologic organisms. Alice's size changes point to golden keys and hints at hidden secrets... numbers and numerology...codes and ancient technology...advanced societies and SMART boxes... Music... quantum mechanics and electrical engineering... prisms and telescopes... microscopes... a long list of things layered both in the story and its underlying or hidden concepts and maps or codes.. while also telling the outer story about a young girl in her 'tween years who is on the verge of female growth changes with the onset of 'periods' and social dating, as she sees her older sister already doing. Time is running out on her childhood. The rabbit running is a reference to fertility and to pregnancy tests. She won't be a child for long." "Time and wormholes... where is the rabbit going in such a hurry? Down and into a hole. Alice follows him through the hole, 'falling'... but never catches up to he-who-carries-a-watch...symbol of time, aging, Saturn and Chronos... rabbit's condition of always being late... TIME is getting away from her, but... this hole is no ordinary animal tunnel. Falling through and down, what? Wormhole?... Dimensional doorway? Portal? Time gateway? And, it is important to notice that the girl is asleep, napping in the afternoon, at the beginning of the story... After falling through the portal, she begins to experience altered states of perception...growing and shrinking... Too big in spirit to fit into her human body or the house she enters in the altered reality....Awkward 'tween growth years?.. Overlapping and interwoven stories. It was up to the reader to see what was also written into the outer tale and to take from it whatever he or she could or would understand. Politics and history were also referenced in this powerhouse of a literary masterpiece... in layers and a word here... and over there..." "Didn't John Lennon reference the story in 'I Am The Walrus?'" I hear your comment. "I am of the opinion that he did. The 'Walrus and the Carpenter' story inside 'Alice in Wonderland.'... Perhaps 'White Rabbit' by Gracie Slick and the Jefferson Airplane also. Both songs contain warnings. 'White Rabbit' warns us about noticing the times when the White Knight is walking (talking?) backwards and 'The Walrus and the Carpenter' warn youth about following leaders or strangers who may be luring you to your doom. The Walrus has developed a conscience and, consequently, cries for the loss of oyster life he himself may even have created. The Carpenter has decided not to worry about it: He eats them and does not give it a thought. How many of us have violated our own conscience? If we simultaneously feel sad or guilty, then we are the Walrus. Some are like the Carpenter. Those who have developed the wisdom to know when or whether to say 'no thanks' upon occasion are represented by the oysters who declined the invitation and remained in the oyster bed." "Both stories, 'The Wizard of Oz' and 'Alice in Wonderland'.... Dream worlds? Reality explained? Reality versus dream world? Two examples of the same concept of manifestation and imagination? Some folks 'knew a little something' in the 1800s....Even before then. Certainly after... little by little we have seen illustrations and heard stories.." "Could they be just stories and nothing more?" I hear the question. "I could read them that way. But, personally, I don't think so...Strange weather....Climate Change... Change... transformation. Ancient knowledge... planted knowledge... is genious developed or shared through channeling or fore-knowledge? "'Where' was Oz? Over the rainbow -- if you travel at tornado speed and are possibly in an altered mental state -- we might suppose. 'Where' was home? For Dorothy, it was gray Kansas, USA. The audience is told that there is 'no place' like 'Home.' This mantra is accompanied by the alteration of Dorothy's spirit's orientation to her human body...Spirit's Homing location... when embodied.... By grounding itself in the red region, located at the feet and Ruby Slippers, while allowing the spirit to realign itself also at the head region, the sleeping Dorothy, feet now grounded, so to speak, and brainwave pattern adjusted, awakens. 'Who are you?' becomes also: 'Where are you from'.... Or, 'Where are you?'... Where?... How many versions of 'Where' exist?... Existed?... Exist simultaneously?" On a passport, one must state and document his or her 'a-WHERE-ness.' 'Where from?' Where live?'... 'Where going?' 'Where?' Do we know? 'A-WARE-ness' is variable and interesting... Not 'wary' so much as 'aware.'" "Aware..." 'AWARE are you?' NEXT PAGE Copyright 2016-2022.Asha of Antares.Asha Ariel Aleia.All Rights Reserved. Background courtesy: Asha Ariel Aleia | |||||